You Let Me Go
After her beloved grandmother Rozenn’s death, Morane is heartbroken to learn that her sister is the sole inheritor of the family home in Cornwall—while she herself has been written out of the will. With both her business and her relationship with her sister on the rocks, Morane becomes consumed by one question: what made Rozenn turn her back on her?
When she finds an old letter linking her grandmother to Brittany under German occupation, Morane escapes on the trail of her family’s past. In the coastal village where Rozenn lived in 1941, she uncovers a web of shameful secrets that haunted Rozenn to the end of her days. Was it to protect those she loved that a desperate Rozenn made a heartbreaking decision and changed the course of all their lives forever?
Morane goes in search of the truth but the truth can be painful. Can she make her peace with the past and repair her relationship with her sister?
Eliza Graham’s novels have been long-listed for the UK’s Richard & Judy Summer Book Club in the UK, and short-listed for World Book Day’s ‘Hidden Gem’ competition. She has also been nominated for the Baileys Women’s Prize for Fiction and the Walter Scott Prize for Historical Fiction.
Her books have been bestsellers both in Europe and the US.
She is fascinated by the world of the 1930s and 1940s: the Second World War and its immediate aftermath and the trickle-down effect on future generations. Consequently she’s made trips to visit bunkers in Brittany, decoy harbours in Cornwall, wartime radio studios in Bedfordshire and cemeteries in Szczecin, Poland. And those are the less obscure research trips.
It was probably inevitable that Eliza would pursue a life of writing. She spent biology lessons reading Jean Plaidy novels behind the textbooks, sitting at the back of the classroom. In English and history lessons she sat right at the front, hanging on to every word. At home she read books while getting dressed and cleaning her teeth. During school holidays she visited the public library multiple times a day.
Eliza lives in an ancient village in the Oxfordshire countryside with her family. Not far from her house there is a large perforated sarsen stone that can apparently summon King Alfred if you blow into it correctly. Eliza has never managed to summon him. Her interests still mainly revolve around reading, but she also enjoys walking in the downland country around her home and travelling around the world to research her novels.
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I know, it’s another book with a WWII connection. What can I say? I love this era, but don’t let my idiosyncrasies put you off. YOU LET ME GO is more than historical fiction, this is a dual timeline story that brings it bang up to date.
Admittedly, it’s a slow burner, but all of that background info only adds to the story as a whole. I guess it could be a little trimmer, but I’m not complaining because, for me, all those details really pay off once the second half gets going and Morane (Morie) heads off to Brittany to look into her grandmother’s past.
Morie had always been closer to her grandmother Rozenn, much more so than her sister, Gwen. It , therefore, came as no surprise to see her portray similar traits to Rozenn as the truth unravelled. This made Rozenn’s decision to leave her Cornwall home entirely to Gwen such a mystery. It made little sense, if any, and proved to be the catalyst for Morie’s trip to France. Was she peeved? You bet. Did she struggle to hide her feelings? Absolutely. Which is why putting some distance between herself and her sister seemed to be the right thing to do …before she could say something she might later regret.
Morie, you see, had had her own fair share of troubles up to that point – a horse riding accident, a failing business due to her partner’s gambling addiction. So this news from Rozenn’s will was the nail in the coffin. By going to France maybe she would be able to understand her grandmother’s decision.
Arriving in St Martin, the village from which her grandparents left France for Cornwall, Morie met up with ancestors of villagers who knew Rozenn and Luc. There was some initial reluctance to tell Morie anything, and the puzzle seemed to be missing more pieces than ever until she met with Madame O’Donnell, whose father remembered Rozenn’s family. It was during a conversation with him that Morie discovered her grandmother was not an only child – that she had a brother and a twin sister. So why had she kept their existence a secret all these years?
Piecing the past together, Morie encountered yet more surprises. Including one that would change her own life forever, and which proved her grandmother had made the decision about the Cornish house for a very good reason.
The second half of the book became compelling reading. The author paced the chapters perfectly, swapping point of view at critical times that meant I just had to read on. By the end, I had an inkling as to what was to come for Morie, and it was just as delightful and emotional as I expected.
Neither Morie nor Rozenn are the most instantly likeable of women, but their personalities grew on me and I thoroughly enjoyed how the story came to its conclusion. I would recommend this book to anyone who loves dual timelines and who can hang in through the slow start. It’s worth it. Trust me 😉
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